Publications    Anthologies   "Atomic Bomb Cinema: Judaism, The Apocalyptic Narrative Tradition, and Western Culture at the Dawn of the New Millennium," The End of Days?: Millennialism from the Hebrew Bible to the Present: Proceedings of The Twelfth Annual Klutznick Symposium, October 9, 10, & 11, 1999, eds., Leonard J. Greenspoon and Ronald A. Simkins (Lincoln, Nebraska: Creighton University Press, Forthcoming, 2002).     "A Study of Hollywood's Influence on Family and Children" (translated into Japanese), in Engeki to eiga: dorama no henbõ to enshutsu (Theater and cinema: changes and directions in drama), ed., Takao Aoki (Kyoto: Kõyõ Shõbo, 1997), 279-87.   Articles, Cinema & American Culture   "The Apocalyptic Imagination Reborn: Atomic Bomb Cinema at the Dawn of the New Millennium," Proceedings of the Fourth Annual Conference of the Center for Millennial Studies, Journal of Millennial Studies (Winter 2000), a juried on-line publication.   We recommend that you visit the Center for Millennial Studies website, however if you would prefer you may download the article as a PDF file.     "Atomic Bomb Cinema: Illness, Suffering, and the Apocalyptic Narrative," in Literature and Medicine, Special Issue on the Cinema and Medicine, (Spring 1998), 126-48.    "Images of Anguish, Crisis, and Transcendence, in Some Narrative Films," itranslated into Japanese), Geijutsü Kenkyu 1995 (Hiroshima Arts Society, July 1995), 55-77.   "God, Poetry, and Literature in the Film War of the Worlds," Nîngenbunka Kenkyü, Hiroshima Daigaku Sõgõkagakubu Kiyõ (Winter 1994), 105-16.   "Problems in Modes of Reading Technologies of Representation: Analyzing Literary Structures in the Film Dances With Wolves," The Kansai American Literature Society Bulletin (November 1994), 17-30.   "Going Beyond the Boundaries of Social Theory: An Interdisciplinary Analysis of the Film Living on Tokyo Time". (translated into Japanese), Imago (November 1992), 226-33.     Articles, Cinema & Japanese Culture   "Growing Old with Kurosawa & The Bomb: Japanese Aesthetic Traditions, and the American Desire for an Authentic Response," Asian Cinema, 12:2 (Forthcoming, December 2001).     "The Bomb, Japanese Aesthetic Traditions, and Japan's Most Important Film: Gojira," Iconics, Volume 5 (The Japan Society of Image Arts and Sciences, 2000), 93-115.   "When a God Awakes: Symbolism in Japan's Mysterious Creature Movies," and "Eulogy for the Filmmaker," in The World & I (May 1998), 182-93.   "Amaterasu, Hiruko, and the Japanese Family in Godzilla Vs Mothra" (translated into Japanese), Image Forum (May 1993), 44-50.    Articles, New Media   "A Critical Inquiry into the Sociological Construction and Phenomenological Experience of Virtual Reality," Ningenbunka Kenkyu, Hiroshima Daigaku Sõgõkagakubu Kiyõ (December 1996), 61-81.       © 2001 Atomic Bomb Cinema, Ltd